Scrap sculptor

In Kenya, informal craftsmen are known as jua kali. When jua kali complete their apprenticeships, they save enough money to buy a welding machine, obtain premises, and start a workshop in the informal sector. This is the story of Moses, who established his workshop six years ago along Ngong Road. He started by fabricating typical furniture pieces, but switched to sculpture three years ago when he came across an interested European buyer. Now he makes these high-end sculptures out of scrap metal and is one of the most successful entrepreneurs in the area.

Moses's sculptures on display

Others along Ngong Road have already copied his designs identically and are reaping the benefits of scrap art for export. Despite the contentious issues of competition and intellectual property, the area is showing signs of an emerging sectoral cluster that may over time develop a reputation and attract many buyers. It would be wise for the businesses to coordinate their operations and specialize in different types of sculpture.

Moses's workshop

Though Moses uses the cheapest materials he can find, the cost of scrap metal is on the rise in Nairobi. Small markets in Gikomba supply the city’s informal sector with scrap metal. But traders have found it increasingly profitable to ship scrap overseas to China in large containers, so the local supply has diminished and the price increased. According to Moses, 1kg of scrap metal costs KSH70 (USD0.95). Therefore, a 15kg giraffe sculpture would cost KSH1050 (USD15) to produce, plus wage for three days’ labor, for a total of approximately KSH2100 (USD30). At a hefty mark-up of KSH10000 (USD135), Moses still sees a very nice profit.

Welding machine in progress

Moses also makes his own welding machines out of copper coil, tape, steel rod, and a sheet metal housing. He now has over 10 such homemade machines.


2 notes

  1. would you want to make any purchase here for us? The animal sculptures look amazing

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Analogue Digital

Analogue Digital explores how human systems interact with digital ones: how interfaces affect our relationship with the world, how craft culture and modern technology are colliding in unprecedented ways, and how to reach those who have yet to cross the digital divide.


About Me

I'm Steve Daniels. I study the transformative impact of technology on individuals and societies. I am the founder of the Better World by Design conference at Brown University and the Rhode Island School of Design and a founding partner of Revolution x Design, a Providence-based research center that uses design to address meaningful, real-world problems. Currently, I work at IBM Research, where I study mobile social computing in emerging markets.

I am particularly interested in how people create, adapt, and use technology in resource-constrained environments, which I have written about in my book Making Do: Innovation in Kenya's Informal Economy, which you can read here.

I also design and develop websites. Here's my portfolio.

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